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Jerzy Site Admin

Joined: 21 Aug 2007 Posts: 114 Location: Mt. Haven
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Posted: Tue Sep 04, 2007 11:48 pm Post subject: SHOW NOTES: Art & Story 002-The Big Character |
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In this week's episode, Mark and I discuss our processes for creating and developing characters.
We also started a new segment called The Big Honor, where we honor some of our favorite creators by fawning over their work for a bit.
This week's Pics:
Jerzy: Ty Templeton (Justice League International #20)
Image reference:
JLI #20, Page 18
JLI #20, Page 12
Mark: Ramona Ferdon (Showcase Presents: Metamorpho and DC Archives: Aquaman)
Image reference:
Showcase Presents: Metamorpho, Page 64
Showcase Presents: Metamorpho, Page 78
Showcase Presents: Metamorpho, Page 97
DC Archives: Aquaman Vol. 1, Cover
DC Archives: Aquaman Vol. 1, Page 19
DC Archives: Aquaman Vol. 1, Page 28
DC Archives: Aquaman Vol. 1, Page 29
DC Archives: Aquaman Vol. 1, Page 31
_________________ Don't mess with Sgt. Slaughter, He's as strong as they come,
'Cause he can take on a hundred Cobras, And set them on the run! |
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Wyrmphreak sitting in front of the TV

Joined: 26 Sep 2007 Posts: 14 Location: Georgia
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Posted: Thu Oct 04, 2007 10:54 pm Post subject: |
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| You mentioned, Jerzy, that the young, impulsive character combined with the wizened, older character is a good storytelling device. Do either of you ever worry that by using archetypes in your stories you won't be able to make them your own characters? |
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Wyrmphreak sitting in front of the TV

Joined: 26 Sep 2007 Posts: 14 Location: Georgia
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Posted: Thu Oct 04, 2007 11:04 pm Post subject: |
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One other thing that was mentioned in this podcast......comics being visual, shorter, and having fewer words do you always have to worry about conflict in the story? Jerzy, you gave the example of Opal not really caring one way or the other about Galen so you said you had to up the volume on that. Is it a "have to" kind of thing? Is that your personal style or an absolute need if you are telling a story in comics?
I'm still having a hard time wrapping my head around the idea of a story being so condensed and how anyone can make that work as well as prose. |
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Jerzy Site Admin

Joined: 21 Aug 2007 Posts: 114 Location: Mt. Haven
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Posted: Fri Oct 05, 2007 4:15 am Post subject: |
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| Wyrmphreak wrote: | | You mentioned, Jerzy, that the young, impulsive character combined with the wizened, older character is a good storytelling device. Do either of you ever worry that by using archetypes in your stories you won't be able to make them your own characters? |
That's always a possibility, and it's something every creator should consider when building characters. In my case, I enjoy archetypal characters for the most part, though I do my best to put little twists and turns in their characters to give them my own flavor. The downside is that you can't count on everyone noticing those twists and turns that you're so proud of, so you get the occasional "Oh, that guy's based on Gandalf" remark.
I plan to go into this in a future Art & Story, to talk about how I tend to build characters from facets of my personality. A friend of mine once told me in regards to teaching: "teacher, know thyself". I think the same can be said of writers/creators: "artist, know thyself." The best model you have for character building is right inside your own head. Take a tiny sliver of your personality, map it onto an archetypal figure, and inflate it. That's one of my techniques.
Now, if you're doing a gut-wrenchingly sincere and subtle slice-of-life story like Same Difference (Warning: NOT an all ages link!), then you might not want to pull from the archetypal shelf. But for the kinds of stories I do, they work just fine.
| Quote: | | I'm still having a hard time wrapping my head around the idea of a story being so condensed and how anyone can make that work as well as prose. |
Well, Mark and I talk frequently about a kind of compression only used in certain types of comics. You don't necessarily have to condense--just check out Blankets, for example, or Bone. For that matter, check out Alan Moore's books like Watchmen or V for Vendetta. There are many comics out there that as decompressed as a Victor Hugo book.
But at the same time, I want to be careful to not misrepresent the kinds of compression we talk about, as it relates directly to the kinds of comics found at Sugary Serials. You can distill and still have sophistication. The author has inference, suggestion, subtext, and many other invisible allies in the creation of their story. As my buddy Hoov once described it, it's like Gatorade Concentrate--all the flavor of a 32 oz. bottle of Gatorade in one spoonful. Nothing's omitted, it's just concentrated.
Here's an exercise to show you what I mean--we all know that a picture is worth a thousand words and all that, right? Take any comic you enjoy, and try to think of each panel as a written description. Remember to describe everything in each panel--how the character is posed, what their emotions are, what the setting looks like, what movements may be occurring. Depending on the comic, that might take a lot of words, and some things might defy a succinct description. That's one of the powers of comics compression--the immediacy of image.
I think comics can work as well as prose, but in very different ways. A book and a movie are both storytelling mediums, but they aren't even close to being the same. Still, we all can agree that we've seen movies and read books that are equally as compelling and powerful. _________________ Don't mess with Sgt. Slaughter, He's as strong as they come,
'Cause he can take on a hundred Cobras, And set them on the run! |
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Tom Foolery eating cereal

Joined: 01 Sep 2007 Posts: 84
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Posted: Fri Oct 05, 2007 6:00 am Post subject: |
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| Jerzy wrote: |
Here's an exercise to show you what I mean--we all know that a picture is worth a thousand words and all that, right? Take any comic you enjoy, and try to think of each panel as a written description. Remember to describe everything in each panel--how the character is posed, what their emotions are, what the setting looks like, what movements may be occurring. Depending on the comic, that might take a lot of words, and some things might defy a succinct description. That's one of the powers of comics compression--the immediacy of image.
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This is a fantastic statement, one of the best ways of helping a person "see" the story in the picture. I am marveling over it, Jerzy, it's the perfect way to describe how all story telling is the same, it's how it is presented that's different. Heck, we could even get into how music is another aspect of the same thing!
I am currently nearing the end of "My Great American Novel" which I forced upon Jerzy to read. His statement in reply was:
"Please bear in mind that I'm used to telling stories in pictures..."
And then he laid out a wonderful critique of my work. It didn't matter, overall, that he told his story in pictures, he was able to share his feelings with me about my storytelling. I suppose writing a story, to me, is just describing the comics in my mind. That could explain a lot. _________________
| Jerzy wrote: | | Let's get that novel sold to a publisher, so you can move to the Italy and have Sangria and sunshine all day. |
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Wyrmphreak sitting in front of the TV

Joined: 26 Sep 2007 Posts: 14 Location: Georgia
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Posted: Tue Oct 09, 2007 11:12 pm Post subject: |
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| Thanks, Jerzy!! That was a fantastic exercise to use in pointing out just how much the visuals are a part of the story. As I said, I was aware of that but I didn't think about in quite those terms before. I do want to make it clear that I am totally aware that there can be and is depth in comics. I just find it amazing that people can tell those kinds of stories using so few words. Again, it's that lifetime exposure to prose! |
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Jerzy Site Admin

Joined: 21 Aug 2007 Posts: 114 Location: Mt. Haven
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Posted: Thu Oct 11, 2007 5:00 am Post subject: |
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| Wyrmphreak wrote: | | I do want to make it clear that I am totally aware that there can be and is depth in comics. |
And I want to be clear that I wasn't trying to say that you were being dismissive. I'm only shining a light on the differences for purposes of public discourse. And I'll admit that I tend to assume that most people I talk to don't understand that comics are anything more than junk lit, or that it's harmless escapism at best.
So, my next question is, what kinds of prose do you enjoy? I'll bet there's a comics counterpart. _________________ Don't mess with Sgt. Slaughter, He's as strong as they come,
'Cause he can take on a hundred Cobras, And set them on the run! |
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Wyrmphreak sitting in front of the TV

Joined: 26 Sep 2007 Posts: 14 Location: Georgia
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Posted: Sat Oct 13, 2007 9:25 pm Post subject: |
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What kinds of prose do I like? You would think that would be an easy question to answer for someone who has read prose all her life......or at least since she learned how to read. In the tenth grade, I went through this phase where pretty much all I read was romances. I tried to be a little bit more high brow with them and tended toward ones with either a twist (suspense, the paranormal) or ones that were historical, though I have to admit I did enjoy just your basic, simple romantic story. Then I switched to fantasy in the 11th grade and totally immersed myself in it. I loved all the elements that fantasy had to offer (creatures, magic, sweeping landscapes/worlds, quests) so gobbled up anything that caught my fancy at the library. That sustained me for many a year until at some point, I don't know exactly when, my tastes started to shift toward general and non-fiction. I haven't left behind what I used to love, but I can't get into it as broadly as I once did. I'm kind of all over the place now, having about three books at a time that I'm reading since I keep hopping back and forth between them based on what I feel like getting into.
I'm not sure if I've given you much of an idea of what I enjoy, so I'll name a few authors and hopefully that will provide you with something a bit more concrete.
Neil Gaiman (Neverwhere, Good Omens, Stardust)
Laurell K. Hamilton (both Blake and Gentry)
J.D. Robb
Nora Roberts
Poppy Z. Brite (foodie fiction)
Michael Crichton |
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Ty the Guy sitting in front of the TV
Joined: 09 Nov 2007 Posts: 1 Location: Toronto
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Posted: Fri Nov 09, 2007 6:01 pm Post subject: Just heard the podcast |
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Hey there guys. A student at one of my comic book classes in Toronto told me to come here and listen to your podcast, cause you mentioned me. Um. —blushes, and looks at his shoes…—thanks for the mention. I appreciate the scholarly look at the work, not just of my stuff, but of Ramona’s as well (one of my heroes growing up, along with Marie Severin. The only two women in comics, and they were both GREAT!) If you want to see more of Romana’s work that you didn’t mention, check out her very lovely run on Plastic Man in the Eighties (my first exposure to the character in anything other than history books) and her terrific Justice League run in the SUPERFRIENDS title of the same period. You’re right, she had an elegant brush line, and a tremendous sense of character and page design. Metamorpho and Aquaman, obviously my two favorites as well. I actually am OLD enough to have bought the Metamorpho’s when they came out. Still have ‘em too.
Now, as for describing my work as dignified, I appreciate that very much. I’m sure it comes from a childhood obsession with the work of Curt Swan and Wally Wood, two highly dignified influences that are still with me to this day. A little too much Norman Rockwell in my life back then too. I didn’t come to my Neal Adams and my Kirby until I was a teenager, (and Gil Kane,Alex Toth, Harvey Kurtzman, John Severin, Brian Bolland, etc. etc. etc. until much later) and there’s something about a person’s basic personality built in the first ten years of your life, that I"m stuck onRockwell, and Wally and Curt. I still find aspects of their work, literally the perfect way to do things, as the Platonic ideal. As an adult, I try to shake the influences and do something that’s just ME, but they’re bedrock in there. Part of my comic DNA.
But as for describing me, personally, as being dignified… You’ve obviously never met me. Good lord, clearly not.
I think the best way to clear the air of that misconception is to link to my latest film: you can see it at
www.hoverboy.com
just click on the section that says documentary, HOVERBOY, HERO OF A THOUSAND BUCKETS,
or much better yet, head on over to funny or die
http://www.funnyordie.com/browse/all/walking_tall/highest_rated
to watch it on Will Ferrell’s site. That way you can vote for it and keep it highly rated.
This film includes a clip of me running through a forest wearing nothing but a bucket, slamming into trees. If there’s anything less dignified than that, I don’t know what it is.
And of course, if I could humbly plead for you guys to link to this hoverboy website or film from YOUR website somehow (so that we could wave at your webtraffic and humbly offer them this silly movie), that would be cool. We’re coming out with a new Hoverboy comic early next year, and a man willing to run into a tree wearing a bucket on film, deserves some promotional sympathy for an indy comic that will never make him money, don’cha think?
Ty the Guy. Clearly undignified in his wanton begging. |
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Jerzy Site Admin

Joined: 21 Aug 2007 Posts: 114 Location: Mt. Haven
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Posted: Fri Nov 09, 2007 10:55 pm Post subject: |
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Okay, after watching the video, I agree. Art: Dignified. Artist: Well...[/Lucille Ball]
Wow, thanks for listening to our messy rants! All I hope is that we did your work justice in the discussion. And, as I said in the podcast, I'm a huge fan of your work. I just finished reading the Marvel Adventures Spider-Man/Human Torch digest, and it's the best read I've had all year. Few artists can tell a story like you can.
But I'm getting sloppy. Ahem!
We'll be sure to mention Hoverboy on our show and sites. That video is hysterical--it's incredibly authentic, and I nearly had a spit-take when you did the bit about how Hoverboy brought about the Comics Code. We'd be happy to plug it for you, even if we weren't fans of yours. _________________ Don't mess with Sgt. Slaughter, He's as strong as they come,
'Cause he can take on a hundred Cobras, And set them on the run! |
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